My new biography of Dr John Disney, founder of the John Disney Chair of Archaeology at the University of Cambridge and benefactor of the Disney Marbles now displayed at the Fitzwilliam Museum, has been published by Archaeopress.
The family’s origins lay at Norton Disney in Lincolnshire where they had settled after the Norman conquest. Disney’s father, the Reverend John Disney, inherited The Hyde near Ingatestone in Essex from Thomas Brand-Hollis. The house contained the Grand Tour collection formed by Brand-Hollis and Thomas Hollis. The Reverend John Disney had met Brand-Hollis through the Unitarian Essex Street Chapel in London where he had ministered after leaving the Church of England.
John Disney inherited The Hyde from his father and presented much of the collection to the University of Cambridge. The objects were described in his Museum Disneianum. Some of the items can be traced back to his wife, Sophia, or uncle (and father-in-law), Lewis Disney-Ffytche, during their time in Naples after they had been forced to flee Paris during the Revolution. Disney-Ffytche had been the owner of Le Désert de Retz, the pleasure gardens near Paris.
Disney himself helped to establish a new museum in Chelmsford through the Chelmsford Philosophical Society. He was a key member of the Essex Archaeological Society.
1. The Disney family of Lincolnshire
2. The Break with the Church of England
3. Collectors of the Grand Tour: Thomas Hollis and Thomas Brand
4. The Disney family and Essex
5. The Hyde and its collection
6. Disney and Learned Societies
7. The Museum Disneianum and Cambridge
8. Going for Gold
9. The Disney legacy
The World of Disney: From Antiquarianism to Archaeology (Oxford: Archaeopress, 2020). ISBN 9781789698275.
This wonderful series of essays—journeys in the title—transports us from Mousa Broch on Shetland, to Abbotsford in the Borders; from Bell Rock Lighthouse off Angus, to Sweeney’s Bothy on Eigg.
Kathleen Jamie ignites our imagination with her reflection on Geldie Burn, and more specifically Mesolithic sites in their landscape. Her essay on Maggie’s Centre in Fife makes sense of contemporary therapeutic space by comparing this location with the prehistoric site at Links of Noltland on Westray.
Some of the locations are well-known and perhaps to be expected: Calanais (James Robertson), Iona Abbey (Alexander McCall Smith), and Edinburgh Castle (Alistair Moffat). But there are some unexpected gems here: James Robertson in Innerpeffray Library.
I was surproisingly gripped by Alistair Mofffat on Glenlivet Distillery and Inchmyre Prefabs, and James Crawford on Hampden Park and Sullom Voe. They were reminders of how society can leave its mark on the built environment.
James Robertson’s essay on Auld Alloway Kirk not only explores Tam O’ Shanter, but also rural parish churches, for example at Kiltearn and Croick. Alexander McCall Smith reflects on the Italian Chapel on Orkney.
This creative volume provides a range of insights and voices on Scotland’s history.
The Cluniac order was derived from the abbey at Cluny. The order was introduced to England at the priory of Lewes by William de Warenne, the first Earl of Surrey, and his wife Gundrada.
Wenlock Priory, Shropshire. [EH] The Cluniac foundation was made from St Mary of La Charité that had been refounded in 1059; Wenlock’s foundation by Roger Earl of Shrewsbury was likely to have been between 1080 and 1082. The priory was on the site of a late 7th century Anglo-Saxon nunnery.
Castle Acre Priory, Norfolk. [EH] The priory is likely to have been founded by William de Warenne, the second early of Surrey, probably after his father’s death in 1088.
Thetford Priory, Norfolk. [EH] The priory was founded in 1103/4 by Roger Bigod. The monks came from the priory at Lewes.
Monk Bretton Priory, Yorkshire. [EH] The priory was founded in 1154 from Pontefract.
Crossraguel Abbey, Ayrshire. [HES] Crossraguel was founded as a result of an episcopal ruling in 1244. It was one of two Cluniac foundations in Scotland; the other was Paisley Abbey.
Complex heritage sites like the Athenian Agora and the Akropolis can present a series of narratives. The two-storeyed colonnade or stoa was dedicated by King Attalos II of Pergamon in north-west Anatolia (159–138 BC).
The father of Attalos II, Attalos I (along with Ptolemy III Euergetes), was added to the representation of the ten heroes (The Eponymous Heroes) representing each of the Athenian tribes in 200 BC.
Eumenes II (197–159 BC), the elder son of Attalos I, added a two-storeyed stoa on the southern slope of the Athenian Akropolis adjacent to the theatre of Dionysos. The rear of the stoa consists of a substantial retaining wall. Above and behind the stoa was the road that ran around the Akropolis and into the theatre of Dionysos. The effect of the colonnade would have mirrored the stoa at Pergamon that flanked the theatre on the slope of the royal city’s akropolis.
A major monument celebrating Eumenes II and dated after 178 BC was placed adjacent to the Pinakotheke at the main western entrance to the Athenian Akropolis. It in effect balances the temple of Athena Nike on the other side of the main access ramp. Eumenes was placed in a four-horse chariot. At the end of the 1st century BC the portrait of Eumenes was replaced by that of Agrippa.
The cutting for another Attalid monument, dedicated to Attalos II, can be found immediately to the north-east of the Parthenon. This also supported a monumental chariot; this referenced the chariot of Helios that appears in the most northerly of the metopes on the east side of the Parthenon.
To the east of the Parthenon itself were displayed a series of sculptures, seen by Pausanias (1.25.2), celebrating victories over the giants, the Amazons, the Persians and the Gauls. These had parallels in the sanctuary of Athena on the Pergamon akropolis.
The 2020 RSA Heritage Index is now available. West Suffolk has been placed at 122nd in England: Ipswich is at 87th, and East Suffolk at 98th. West Suffolk’s strengths have been identified as Culture and Memories (69th) and Landscape and Natural Heritage (72nd). Surprisingly, given the importance of Bury St Edmunds, the Historic Built Environment is placed at 165th and Museums, Archives and Artefacts at 173rd.
The 2020 RSA Heritage Index is now available and Norwich is ranked as number 3 as a centre for heritage in England (up from number 9 in 2016). The city’s particular strengths are in Historic Built Environment (3rd up from 4th), Museums, Archives and Artefacts (7th up from 12th), and Culture and Memories (2nd down from 1st). There has also been a marked improvement for Parks and Open Space (28th up from 40th).
Norfolk as a county featured prominently. North Norfolk came 25th (up from 36 in 2016). Its main strengths included Historic Built Environment (33rd up from 71st), Landscape and Natural Heritage (22nd up from 27th), and Culture and Memories (75th up from 86th). There were also improvements in Museums, Archives and Artefacts (135th up from 141st) and Parks and Open Spaces (131st up from 137th).
Great Yarmouth did particularly well moving from 64th in 2016 to 38th. Its particular strengths were Industrial Heritage (22nd up from 40th), Parks and Open Spaces (56th up from 115th), and Historic Built Environment (85th up from 159th).
Kings Lynn and West Norfolk was ranked 54th (with a rise in Historic Built Environment, 39th), Breckland at 150th (with a rise in Historic Built Environment, 41st, and Museums, Archives and Artefacts, 117th), Broadland at 190th (with a strength in Landscape and Natural Heritage, 123rd), and South Norfolk at 219th (with a strength in Historic Built Environment, 63rd).
Across the region, Cambridge also featured in the top 10 at number 9 (up from 12th). Maldon moved from 40th to 37th (with moves in Historic Built Environment, 48th, and Museums, Archives and Artefacts, 125th), while Colchester remained unchanged at 140th (though with a move to 80th for Historic Built Environment). Ipswich fell from 70th in 2016 to 87th. East Suffolk was placed at 98th, and West Suffolk at 122nd.
John Camp has given another virtual seminar from the Athenian agora. The subject this time was the temple of Hephaistos that stands on the low hill overlooking the agora. He broke the temple down into its architectural elements from its foundations to the roof. His explanation of the proportions of the Doric order showed how a reconstruction can be made from the smallest of architectural fragments. Camp explained how the internal structure of the temple had been reorientated when the building had been converted into a Christian church. There was a reminder that the modern planting was informed by the excavated ‘plant pots’ around the temple.
The subsequent questions include a discussion of the date as well as the use pf polychromy.
These in situ seminars do so much to explain architectural remains.
Visitors to Athens probably focus on the Agora and Akropolis rather than other equally important remains that can be found in the city. One of the most impressive is the Library of the Emperor Hadrian that lies in the district of Monastaraki, to the east of the Agora and immediately to the north of the Roman forum. The access is from the west, just like the Roman forum.
The Library dates to AD 132, following Hadrian’s visit to the city. The entire complex measures approximately 125 m long.
The marble for the columns on the propylon were imported from Asia Minor, and those along the front of the building from Karystos on the island of Euboia. The rest of the western façade was made from Pentelic marble.
Four semi-circular exedra were placed at each end of the north and south walls of the Library.
The library itself, along with adjacent lecture and reading rooms, was located at the eastern end of the complex. The eastern wall was limestone.
The Library was damaged during the Herulian attack on Athens in 267. Perhaps two decades later a new wall was constructed to enclose the area to the north of the Akropolis. This defensive wall incorporated the south wall of the Library; and the Library itself projected north of this new line.
The Quatrefoil Building (or Tetraconch) was constructed in the centre of the Library in the early 5th century AD. This is possibly one of the earliest churches in Athens. The bases for the Hadrianic peristyle, originally consisting of 100 columns made of Phrygian marble, can be seen in the foreground.
The standing columns come from a 7th century church.