I had the pleasure of sitting in Benny Higgins’ inaugural lecture at the University of Edinburgh last week, as he explored ‘Hinterlands’ making connections between his passion for and deep knowledge of art, literature and poetry, and situations faced in business. He ranged widely in time and geography, and in drawing inspiration from his cultural knowledge has been able to consider many operational and strategic decisions in a broader context. His lecture was inspiring and a reminder that engagement with culture, heritage and context is a useful hinterland which can have far-reaching effects.
I will be exploring the relationship between Winifred Lamb’s work as an archaeologist in the Aegean, and her role as Honorary Keeper of Greek Antiquities at the Fitzwilliam Museum, Cambridge. In the museum there are recognisable strands to her curatorial work: the display (and publication) of the Greek figure-decorated pottery, supplemented by the Ricketts and Shannon loan (and later Shannon bequest); the formation of a prehistoric gallery; the development of a collection of Greek, Etruscan and Roman bronzes; and finally material from Anatolia. The Greek pottery interest was influenced by her work with (Sir) John Beazley in Room 40 during the final stages of World War 1.
In a second paper I will consider the process of writing Lamb’s biography: the archive sources including her correspondence, diaries, and photographs; her acquisitions for and gifts to the Fitzwilliam; and her publications. I will then turn to the writing of a life from an essay in Breaking Ground to the memoir in ODNB. What should be included or excluded? Where do the emphases lie?
Readers of ‘Heritage Futures’ will know that we have more than a passing interest in the historic signs erected by the Ministry of Works (and its successors) to interpret and manage sites in state guardianship. This seminar will explore the range of signs used across prehistoric, Roman, medieval and industrial sites in the UK. These include the signs directing visitors to the site, car-parking, warning signs and directional arrows, as well as those that help to interpret the different parts of complex buildings such as abbeys and castles. Many were cast by the Royal Label Factory.
The International Tourism Studies Association (ITSA) Biennial Conference 2016 is taking place in Greenwich this week. One of the themes is ‘Heritage tourism in cities’, with an emphasis on UNESCO World Heritage Sites.
I will be presenting an analysis of visitor figures for UNESCO World Heritage Sites in Greece with a special emphasis on the period of austerity. One of my strands will be the city of Athens with the UNESCO World Heritage site of the Athenian Acropolis.
Heritage Futures is pleased to be supporting the Anglo-Saxon Rendlesham conference that is due to be held in Bury St Edmunds on Saturday 24 September 2016.
Further details are available here.
I have been working on the spread of board games alongside the consumption of wine. Board games appear in the iconography of Athenian sympotic pottery from at least the sixth century BC. Physical board games appear in burials in the Po Valley from the late 6th century BC onwards, often placed alongside Attic sympotic pottery.
The appearance of a board games, with glass counters, in the Welwyn Garden City Iron Age burial (and now displayed in the British Museum) may be an extension of this earlier phenomenon. The burial itself dates to the late 1st century BC. Scholars have mapped the spread of wine consumption across western Europe through the distribution of wine amphorae. But are board games part of this cultural impact?
I am working on this project with my colleague Eddie Duggan who has published in this area (“Strange Games: Some Iron Age examples of a four-player board game?“, see academia.edu).
Lecture organised by the Sutton Hoo Society.