The release of ALVA visitor figures have shown the impact of the pandemic on visitors to Oxford University Museums. The 3.3 million visitors in 2019 dropped to 887,516 in 2020. (This is still more than the number of visitors to University of Cambridge Museums.)
The ALVA figures for 2020 have shown the impact of the pandemic on museum visitors through the figures for the University of Cambridge Museums. The total number of visitors has dropped from 1.3 million in 2019 to 471,408 in 2020. However if you remove the Cambridge University Botanic Garden from the figures this leaves 277,918 visitors to all the other locations.
The ALVA figures for 2020 have been released. I have chosen the top 10 locations for the National Trust for Scotland where there is easily accessible data for 2019. I have not included Corrieshalloch Gorge (56,060), Ben Lomond (54,266), or Balmacara Estate & Lochalsh Woodland Garden (45,957). These 10 sites attracted 934,938 in 2020, down from 2.1 million in 2019.
Using the Top 10 sites for 2019, the fall is from 2.1 million to 888,159 in 2020.
The figures reflect how landscapes and gardens have been used to allow the public to re-engage with heritage sites and locations.
ALVA has released the visitor figures for 2020 and they are showing the harsh impact of the COVID-19 on the heritage visitor economy. The top 10 Historic Environment Scotland (HES) sites (for 2o2o) have dropped from just under 4.4 million visitors in 2019 to 517,210 in 2020. Edinburgh and Stirling Castles saw a fall of 87 % and Urquhart Castle saw a drop of 89 %. Some sites, unsurprisingly, given the circumstances, saw a fall of over 90 %.
Using the Top 10 visitor numbers for 2019, visitor numbers fell from 4.5 million to 512,203.
These numbers indicates the impact of the pandemic both on a specific heritage organisation as well as on the tourism sector more generally.
“The Parthenon Marbles were made by the citizens of Athens under the direction of renowned artist Phidias to celebrate the pride and majesty of the City of Athens. To not house and view these citizen contributions in the city they were originally intended does a disservice not only to the people of Athens, but also to the civilization that paved the path for modern democracy and freedom.”
The appeal to the original intention of the sculptor is a strong one. These sculptures were an integral part of a building, incidentally now part of the UNESCO World Heritage Site of the Athenian Akropolis.
Is now the time for these sculptures to be returned to Athens so that they can be displayed in line of sight of the Parthenon?
Next week is the 200th anniversary of the start of the Greek War of Independence. The Battle of Navarino, in the south-west Peloponnese, took place on 20 October 1827 when the allied fleet of Britain, France and Russia defeated the Ottomans.
The British monument is placed on one of the small islands in the bay. Some of the ships were subsequently based at Nauplion.
For more on the Royal Navy in Greece in this period:
Gill, D. W. J., and C. Gill. 2010. “H.M.S. Belvidera and the Temple of Minerva.” Notes and Queries 57: 199-210. [DOI]
The British Prime Minister has stepped into the debate about cultural property currently held in the British Museum by making a statement about what he considers to be the legal status of the Parthenon architectural sculptures (“Greek culture minister challenges British PM’s claims on Parthenon sculptures“, ekatherimini.com 12 March 2021). These sculptures were once an integral part of the Parthenon, part of the UNESCO World Heritage Site of the Athenian Acropolis. The proposal is to display them in line of sight with the Parthenon.
Some of the issues relating to cultural property are explored in my Context Matters: Collating the Past (20202) [see here].