The RSA Heritage Index (2020) allows a comparison to be made between different regions. This histogram shows the percentage of Listed Buildings and Scheduled Monuments are at risk across Lincolnshire (including the unitary authorities of North Lincolnshire and North East Lincolnshire). There are 42 Grade I Listed Buildings at risk, 35 Grade II*, and 9 Grade II; there are 79 Scheduled Monuments at risk.
A different view is obtained if the actual numbers are presented. This places an emphasis on the issue of protecting Scheduled Monuments.
The RSA Heritage Index (2020) provides an important source for considering how heritage is placed at risk across the six counties. Norfolk has the highest percentage of Grade I listed buildings at risk with 7.7 per cent, followed by Bedfordshire at 5.3 per cent. Norfolk also has the highest percentage of Grade II* listed buildings at risk with 3.5 per cent. Grade II listed buildings are largely considered not to be at risk across the region. However, scheduled sites are far more at risk: Cambridgeshire stands at 16.6 per cent, followed by Essex at 8.7 per cent.
How can such fragile and vulnerable heritage be protected across the region?
Norwich has the highest rating in the RSA Heritage Index (2020) at number 3 for England. The rankings in all seven categories are almost identical to those for 2016. The lowest score, as might be expected for an urban location, is for Landscape and Natural Heritage.
Cambridge is placed at number 9, and like Norwich does not do so well for Landscape and Natural Heritage. Like Norwich, its rankings for the different themes are very similar to those for 2016.
Southend-on-Sea, a unitary authority, is placed at number 19. Its particular strength lies in Landscape and Natural Heritage, as well as Industrial Heritage, and Museums, Archives and Artefacts. Again, note the similarity to the rankings for 2016.
Ipswich, the highest ranking authority for Suffolk, is placed at number 87 (a fall from 2016). There is an improvement in the theme of Culture and Memories, though slight falls for Parks and Open Spaces, and the General category.
Colchester in Essex is placed at number 140. It shares a museum service with Ipswich, though does not perform as well as in the theme of Museums, Archives and Artefacts. There are improvements from 2016 in the themes of Historic Built Environment, Culture and Memories, but a slight slippage for Parks and Open Spaces.
Altogether there are 11 locations in the eastern region that are placed in the top 100 for England: four in Norfolk, three for Essex (plus Southend-on-Sea), two for Suffolk, and one for Cambridgeshire.
Historic Environment Scotland has issued Version 7 of its Covid-19 Operational Policy & Minimum Operating Standards for Property Management and Visitor Operations.
The open sharing of this evolving publication by the organisation has been great to see. The first version was showcased publicly by the HES Director of Conservation, David Mitchell, back in June 2020 as part of the Covid-19 Historic Environment Resilience Forum (CHERF) event on Re-opening Venues which I chaired.
The document has been an incredibly useful resource for considering operational issues and decision-making system design for the sector to use as a comparator resource to adapt to their own situation.
From a heritage management teaching point of view, it has also been an excellent live case study to enable students to consider the organisational requirements and ramifications of decisions/actions which aren’t always obvious at visitor sites and organisational hubs.
The Green Alliance has just published a policy insight report setting out the data and arguments for investment in a range of nature-based investments which would bring about environmental improvement, assist climate change mitigation and deliver social and economic benefits, notably in job creation for areas of the country where there is a distinct labour market challenge.
The summary report and accompanying detailed analysis include focused case studies on some specific potential actions, such as habitat restoration for bogs and seagrass, and tree planting and park creation. These specific examples within a broader approach for green jobs help to build that compelling case, especially given the downstream wider potential skills development, higher level job creation, and broad long-term societal benefits.
The detailed report shows the impacts diagrammatically.
There isn’t a specific read-across to the historic environment within the report, but the links can be seen – from allied research and operations associated with understanding and managing the cultural landscape as nature-based investment is made, to shared skills enhancement and longer-term job creation which benefits both the natural and historic environment.
Figure 10 in the detailed report provides a breakdown of jobs in Scotland in nature-based activities and nature-dependent sectors in 2019 with 195,300 total jobs, noting that 2% of these are specifically related to museums and cultural activities, with a further proportions being travel/recreation and hospitality-related, and natural craft skills which are intimately tied to the heritage of localities.
Publication of the latest National Gallery Strategic Plan 2021-2026 will take the organisation through to its 200th birthday. The plan is very much a product of the pandemic, recognising the change over the past year, challenges and opportunities that the gallery has gone through and actions it needs now to mainstream in its operations to thrive into the future.
The Gallery sees itself as embarking on a newly enhanced commitment to engage with the widest audiences globally in innovative ways, and wants to demonstrate how art is transformative, enhancing culture and society. It intends to develop income streams through a range of digital channels and offerings, rework the visitor welcome and orientation in the Sainsbury Wng, and foregrounds the research credentials of the Gallery as a hub for an enhanced and diverse community of practice.
There is much to applaud here, not least the optimistic and engaging tone in which the strategy is written. As a connoisseur of strategic plans and annual reports, there are also some sentences which may baffle and amuse. My favourites for this plan include:
It is this multivalent life, always finding new ways to share our art, that defines the Gallery and will continually redefine it in future.
Strategic Plan, p.5
Multivalent? There’s a word you don’t see every day!.
…we will diversify the social media channels we serve to include programmes we do not already use (TikTok, Snapchat) as well as doubling down on the ones we do.
Strategic Plan, p.10
Doubling down? A phrase with history… but also a gamble.
HES has just published an update on its work to embed equality and diversity across its operations and activities with data on 2019-2020 and a range of case studies highlighting progress. The main report is web-based with dynamic content (personally speaking I feel a PDF would also be helpful, but I may have missed the link).
The report is good to see, not least the recognition that the organisation is at the start of its journey in comparison to others: a phrase that jumps off the page for example admits that it is still currently a ‘white organisation’ and needs to work to represent Scotland’s society better internally. It usefully considers both the internal and external environments for the organisation.
The complexities of the issues are large and structural barriers to overcome are large, and the report charges its directorates with expectations to address these, and enable the historic environment to work for everyone, and enable all sections of society to engage with their heritage.
The response to the pandemic and the shift to new ways of working with enhanced digital service delivery add a further challenge and opportunity, and will need to be one of the ingredients to address the issues.
I’d argue that further articulation in future also needs to be made around equality and access in the context of chronic ill health disability (beyond typical disability classifications) and challenges of ageing society; financial exclusion and its ramifications for engagement with heritage; and also consideration of specific geographic issues (e.g. urban / rural / island / remote) as they impact on stakeholders in the historic environment.
Given my research interest in the inner workings of heritage and conservation organisations (i.e. how they manage themselves and communicate their management role to stakeholders) I used to be a regular reader of the NPS Morning Report. Issued by the Visitor Resource & Protection office, it was very much focused on operational issues, but always gave insights into the way in which the Park operations responded and adapted to different situations and events.
Since the demise of the Morning Report, I now read the weekly NPS Green & Gray Report instead, which is issued by the Office of Communications and is much more focused on wider communication of NPS activities to external audiences as well as internal employees and stakeholder partners.
From an external standpoint, the evolution of the organisation’s management communication has been interesting to see in terms of ‘voice’ and ‘tone’ and of course reflects the NPS’s broader mission for engaging the widest audiences and supporters for the Parks which has grown over the past decade.
The Blue Marine Foundation has recently published a report which considers the idea of National Marine Parks in the UK, and sets out proposals for how they might be established using local partnership models which build on current environmental protection designations.
The report recognises the opportunities which the pandemic has brought around raised recognition of environmental issues, and the opportunities which communities have with connecting or re-connecting in enhanced ways with the natural environment to promote wellbeing and generate sustainable economic benefits.
The report also highlights the relatively limited connections which many coastal communities have with management of the blue resource adjacent to them currently, and flags Plymouth Sound National Marine Park as a potential management model for increasing and widening stakeholder engagement in dynamic ways. It also highlights success of the World Heritage Site designation for the Jurassic Coast, generating £111 million annually for the economies of Dorset and Devon.
Recognition is made of the deep heritage connections which coastal communities have with the sea, and the proposed sites for National Marine Parks build on the distinct natural and cultural characteristics of these locations around the country.
The labelling of an area brings recognition and discussion, and the report’s proposals for National Marine Parks is an intriguing prospect which I hope will gain traction.
Inevitably I have become an avid listener to the new heritage-focused podcast series launched by the Duchess of Rutland, simply entitled, “Duchess” as I have headed out for my daily constitutionals during lockdown.
The first series has ranged far and wide across the UK, focusing on the personal stories of the women behind the running and development of private stately homes and estates – most of whom are united by being part of the British aristocracy with the title Duchesses. As Emma Rutland wryly observes, it is a somewhat elite club!
She has however produced utterly engaging interviews which have been exceedingly open and honest, revealing how the interviewees have married into, inherited, survived and prospered as members of the British establishment. More importantly the interviews go a long way to break down the stereotypes of the private stately home owner in explaining the trials and tribulations of the sleeves-rolled-up approaches needed for maintaining the ongoing survival and flourishing of the estates in local communities and modern society more widely.
The love of peeking behind the curtain will make the series appeal to many, whilst anyone interested more in the ‘management’ of heritage sites will find plenty too, as the stories have provided a wealth of case studies of innovation, social inclusion, community development, tourism experience creation, and reflections on long term stewardship of historic assets in private hands often against the odds.