Corinth © David Gill
The American School of Classical Studies at Athens has published a new guidebook on Corinth. I have reviewed this for Bryn Mawr Classical Review [here].
The authors as well as the ASCSA design team have produced a highly functional guidebook to help lay and professional visitors to engage with the extensive excavated and visible remains. … This will be an invaluable aid to interpret what can be seen on the ground, and will serve as a model for guides to other archaeological sites.
The review gave me an opportunity to reflect on how to write a guidebook for such an extensive site. Roman urban sites in Britain such as Silchester and Caerwent have guides published by (respectively) English Heritage and Cadw.
I have been reflecting on why Winifred Lamb deserved a biography.
First, she pursued two parallel careers (captured in the sub-title). She was an active field-archaeologist during the inter-war period at sites that included Mycenae and Sparta, and her own excavations on Lesbos, Chios, and later at Kusura in Turkey. At the same time she was the honorary keeper of Greek antiquities at the Fitzwilliam Museum over nearly a 40 year span.
Second, she was closely involved with the on-going work of the British School at Athens (and contributed to its Golden Jubilee celebrations in 1936). She was also involved with the establishment of the British Institute of Archaeology at Ankara after the Second World War.
Third, she worked alongside some key figures in the discipline of archaeology. Among the names was Sir John Beazley with whom she worked in Naval Intelligence (Room 40) during the First World War. Sir Leonard Woolley introduced her to the Turkish language section of the BBC during the Second World War.
Fourth, she was one of a small group of women who worked at the British School at Athens immediately after the First World War. She was also one of the first women to excavate in Turkey in the 1930s.
Amphipolis © David Gill
A funerary monument, marked with a lion, stands beside the river Strymon to the south of the city of Amphipolis in Macedonia. It probably dated to c. 300 BC.
The structure was reconstructed from ancient blocks in 1936/7.
Isthmia © David Gill
Excavations at the Panhellenic sanctuary of Isthmia in the Peloponnese uncovered remains of the balbides starting-gate from the stadion. There were a sixteen starting-gates (on the right of the picture) that were controlled by strings that passed along grooves leading to the pit where the ‘starter’ was positions. The gate ‘system’ appears to date to the 5th century BC, although its use may have been limited.
David Gill will be giving a lecture on ‘Austerity, heritage and tourism: UNESCO World Heritage Sites in Greece’ as part of the Edmund Lecture Series for 2017/18. The lecture will be in Suffolk House, Bury St Edmunds on Wednesday 18 April 2018 at 6.00 pm.
Tourism is a significant part of the Greek economy and an important counterbalance to austerity. There are 18 UNESCO cultural and two mixed World Heritage Sites (WHS) in Greece. They range from the Bronze Age site of Mycenae, through the Classical site of Olympia, to the Medieval City of Rhodes. These locations stand alongside a rich range of archaeological and heritage sites as well as museums that serve as a repository for the finds. This lecture will review the value of these UNESCO recognised sites as focal points for tourist activity. This overview will be presented against the wider visitor figures for other archaeological sites and museums in the care of the Hellenic Ministry of Culture and Sports. This information will be mapped onto the wider visitor data for Greece, and contributes to the discussion over the economic impact of World Heritage Sites for local economies as well as the wider economy of Greece. The lecture will explore the likely impact of Brexit on the Greek tourist economy, and opens a wider discussion of why the UK Government should value our own UNESCO World Heritage Sites.
Victory relief now in New York © David Gill
This relief was acquired by New York’s Metropolitan Museum of Art in 1959 [inv. 59.11.19]. It was first recorded by Michel Fourmont in 1729/30, and was last known in 1753. The piece surfaced in the London sale at Sotheby’s of part of the collection of Lord Hatherton in 1959.
The relief dates to the second century AD. Although the name of the individual is lost, his father was Alexander (restored, [Ale]xandrou) of the deme Rhamnous in Attica. The relief marks from left to right, victories in the Panathenaic games (showing an amphora containing olive oil), the Isthmian games (with a pine wreath), Argive games (with a shield), and the Nemean games (with a celery wreath). Brian F. Cook has suggested that a further wreath would have appeared at the left end, above the now missing personal name: Delphi and Olympia are possibilities.
The relief is a reminder how cultural property can move from one country to another passing through historic collections.