By 2019, the six staffed archaeological sites in Attica (outside Athens) had attracted over 445,000 visitors. This was a significant growth from the 179,000 in 2004. The coastal deme centre of Rhamnous only attracted 7,000 visitors in 2019, up from 2,000 in 2004.
The sanctuary of Artemis at Brauron attracted 32,000 visitors in 2019 up from 4,000 in 2004.
The most popular site was the coastal temple of Poseidon at Sounion attracting 326,000 visitors in 2019.
The Telesterion at Eleusis attracted 45,000 in 2019 up from 8,000 in 2004.
The other sites are the Amphiareion and the soros at Marathon. The Amphiareion is on the tentative list for World Heritage status as part of the ancient theatre grouping. It attracted over 23,000 visitors in 2019.
The Globe theatre on the south bank of the Thames is the latest organisation to admit that it is “critically vulnerable and at risk of closure in the wake of Covid-19” (“Shakespeare’s Globe theatre calls for urgent funds to avoid insolvency“, BBC News 18 May 2020). The theatre is not apparently eligible for funding from Arts Council England. Yet organisations like this will be well-placed to attract tourists to London in the post-CV19 world.
There is a small piazza at Corinth adjacent to the theatre. Along the edge are the remains of an inscription, originally with inset bronze lettering. This reveals that this public facility had been provided by Erastus-the full name is unknown due to the loss of part of the inscription-from his own money in return for being elected as aedile in the colony. Erastus had made an election promise, and the inscription showed that he had fulfilled his obligation.
The latest edition of the Theatres Trust magazine focuses on maintaining and modernising historic theatres. It includes a fascinating account of the construction of the historically accurate Sam Wanamaker Playhouse, which is the follow on stage from the reconstruction of Globe Theatre.