I have just read a paper by Zhang et al. on the reproduction of consumer spaces as applied to the historic districts of Beijing city centre. It took its cue from theories around the social construction of space for touristic purposes, and further considered the historical development of that space over an extended period. Using some detailed property use analysis, the researchers considered statistically the differing concentrations which developed in the different historic districts of tourism-focused versus resident-focused businesses.
I will freely admit that some of the equations and graphs were beyond me, but the analytical commentary was clearly expressed, and the study showed the importance of looking at the intersection of different capital flows in urban historic districts with the influences of differing types of authority (i.e. control) on development. This in turn affects the agency of residents and behaviour of consumers which in a feedback loop affects the ongoing management and development (and indeed control) of those historic areas.
So what – all very obvious? Maybe, but having recently spent time over in workshops with colleagues thinking about climate vulnerability in Edinburgh’s World Heritage designated area, the paper got me thinking again about how different types of capital (beyond just money) ebbs and flows around the different and distinct historic ‘districts’ of Edinburgh’s WHS and where different types of authority and control are exerted, felt and influenced. Further, it got me wondering how does agency of resident and consumers change across those different districts as a result of those flows of capital, and what are the longer term implications for the city as a result?
Reference: Keer Zhang, Handuo Deng, Fang Wang & Ye Yuan (2021) Reproduction of consumer spaces and historic district touristification in Old Beijing City, Tourism Geographies, DOI: 10.1080/14616688.2021.1934724
“The Parthenon Marbles were made by the citizens of Athens under the direction of renowned artist Phidias to celebrate the pride and majesty of the City of Athens. To not house and view these citizen contributions in the city they were originally intended does a disservice not only to the people of Athens, but also to the civilization that paved the path for modern democracy and freedom.”
The appeal to the original intention of the sculptor is a strong one. These sculptures were an integral part of a building, incidentally now part of the UNESCO World Heritage Site of the Athenian Akropolis.
Is now the time for these sculptures to be returned to Athens so that they can be displayed in line of sight of the Parthenon?
Properties in the care of Cadw will be re-opening from August following the COVID-19 lockdown (“Wales’ ancient monuments set to reopen in August“, BBC News 18 July 2020). The first to re-open will be the castle at Laugharne on 4 August 2020.
The historic area of Istanbul was inscribed as a UNESCO World Heritage site in 1985. One of the finest structures in this part of the city is the 6th century church of Hagia Sophia that was turned into a mosque following the fall of Constantinople in 1453. Under Kemal Atatürk the building was turned into a museum emphasising the secular nature of the republic.
The postponed Heritage Day 2019, arranged by the Heritage Alliance, was held at The Tower of London in February 2020. The Parliamentary Undersecretary of State, Nigel Huddlestone MP, gave his first speech on heritage and tourism.
As another trip to China draws to a close, I leave this time from Shanghai Pudong Airport. Apart from the excitement of a trip on the Maglev (finally, after three years my itinerary allowed it!), the real thrill was finding a Lego Architecture set in the Duty Free of one of the great World Heritage Sites: the Great Wall of China. What’s not to like (apart from the price, which is as steep as the climb up parts of the Wall)?
The Lake District in north-west England was inscribed as a UNESCO World Heritage Site in 2017 [UNESCO]. The listing notes, “a distinctive cultural landscape which is outstanding in its harmonious beauty, quality, integrity and on-going utility and its demonstration of human interaction with the environment”.